The narrative in the piece progresses linearly within the cyclic sense marked by the Rotary intervention at the beginning of the show.

The distinct stages and links in the show present different faces of the idea of Power and its relation with the individual and humanity.This idea of power is shown from an origin, created by Destiny, until its most radical consequence -Death-, passing through several stages of symbolism: war, exodus, death, social hierarchy, and the manipulation of the individual. Each of them represented in several parts of the piece. The image of power focuses on three characters: The White God, and his opponents, The Useless God and the Dwarf God, while the rest of the actors assume the role of Humanity.

Although the different parts have their own character they don´t have a logical or dramatic succession. It is the natural relation between characters, links, and parts which create the body of the show. With the elliptic narrative that comes from the first part of the presentation -march- until the last in resolution -rotary- , the sublect of the argument remains defined and structured.